Abbey’s Country II

 
After not returning back to my car from the previous night’s shooting until after 11pm I knew the morning was going to arrive too quickly.  Packed my car and headed off for the 45 min drive to my next location, Arches National Park.  For whatever reason I knew I should photograph Arches but internally I wasn’t overly excited.  Of course this changed when I woke up in the parking lot about an hour before sunrise and saw the landscape before me.  In a serendipitous offering the entire Milky Way was arching over the exact landscape I was walking toward.  Brilliant!  I got about 30ft from the car before my camera bag was already on the ground and camera being prepared for the first photograph of the day.  While the sky still felt dark the slight glow of dawn was already apparent through the camera’s sensitive settings.  With sunrise still over 45 min away I was amazed at what could be seen.  Over on the far right was the distant glow from the town of Moab.  I made a number of panoramas of the scene before me and then off to my intended destination for the morning.  Now if every day could start like this…  🙂
 
Thanks!
aF
 

Milky Way archs over Arches National Park
“Abbey’s Country II”

The Speed Of Life

 
The Death Valley trip was an exciting one for me. A place I have seen so much of but had yet to actually experience with my own eyes (and lens). Having 4 full days allowed me to casually plan out places to capture depending on conditions. This flexibility meant leaving the Racetrack til last. The main reason being that I happened to visit during the coldest stretch of the season. Camping below freezing every night with daytime highs barely out of the 40s (til the last day). My thought process meant it would gradually warm up toward the end of the week and the Racetrack is at 3700ft, which means colder.
Arriving at the Racetrack is no easy feat. 26 miles of washboard road. 4wd and high clearance recommended. After rattling my way for an hour the playa (dried ancient lake bed) appears as a white dish amongst the encompassing mountains. My heart beats a little faster and my right foot gets heavier.
As I pull up to the parking area and hop out the sun is warm but there is already a chill in the air. It’s late afternoon and the best evening light is yet to come but it’s about a mile from the car to the best rocks. These rocks, the reason I made this bone-jarring drive, move. On their own. And no one’s ever seen it. As they do they leave patterns in the playa. It’s speculated that a mix of wet playa and STRONG winds create this unique phenomenon (some rocks are upwards of 100lbs). So off I go, camera bag packed, extra clothes a must. Gloves, hats, long underwear….
As I trek across this overwhelming unique landscape I start to encounter the rocks. Different shapes, sizes, patterns. I have a couple of shots in the back of my mind to try and capture so finding the right rocks and patterns is essential. The first pair of rocks that catches my eye has me put a note in my head…ok…this is the shot. And I continue. Not 10 minutes later, as I explore further I come across the rocks you see below. Ah ha! Not the first one…THIS was my shot. Ok. Note. Off I go to keep shooting. The sun setting lower, about to disappear below the mountains for the evening. A group of 3 who was out in the corner packs up as the sun goes and they’re gone in to the twilight. I’m alone. Very very alone. It’s quiet. More quiet than one could possibly imagine. So quiet in fact that my ears are ringing. I find this quite confusing with my only explanation being that with modern life we have so much entering our ears constantly that the absence of which creates its own noise. Pretty amazing.
I head back to the pair of rocks as the light is almost faded and the moonlight is taking over. Just a quarter moon but at a location like this it’s bright enough to see without using my headlamp. As I set up the shot I realize that the photograph would be much more powerful if the moon was a bit lower and casting a better shadow on the rocks. Well, the decision was made. I set up the camera and tripod, took the battery out and kept it in my pocket (batteries hate cold weather) and went back to the car for dinner. Let the moon set a bit and then attempt the shot.
Funny thing about leaving a black camera and tripod in the middle of a place like the Racetrack. Not so easy to find! Luckily my way points combined with my phone made the process not as scary as it could have been. However, by the time I left the car the temperature was already in the upper 20’s. 2 pairs of socks. 2 layers on the legs. 4 layers on the body. 2 hoods and a winter hat plus my gloves. Yes. I looked quite hilarious. Now for the photograph. A 1 hour (yes, 60min) exposure of the sky. Calculating my settings and clicking the shutter I knew the only thing left was to wait. And wait. And wait. I walked laps around the playa. Laid on my back and watched the stars (shooting and still). Played some card games. And finally….that comforting click. I could pack up and finally warm up back at the car.
With the current technology my camera processes the photograph for another hour, so I set my alarm to remind me, headed to warmth and waited. As soon as the beep went off I dove across the car to the trunk to pull out the camera and peep at the back. Even with the moon out I nailed the exposure. This huge sigh of relief goes through the body that all that time and effort (and cold!) was not for waste. Of course when the car read 14F the next morning I knew the sunrise shots were going to be just as cold…
 
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Star trails over the Racetrack Playa in Death Valley, CA
“The Speed Of Life”

Reflected Light: A Story Of Serendipity

 

There is something special about traveling by oneself.  Of course there can be times of loneliness and solitude but the freedom to do/go/feel whatever one wants at that time is truly freeing.  On my 4th full day I photographed sunrise in Arches National Park and then started my journey across the southern part of the state.  Through Cedar Mesa and over toward Escalante.  The remoteness and dramatic landscape is not to be underestimated.  Truly spectacular country.  Amazing spires and rock formations around every corner.  Roads winding through canyons, bending around corners to reveal another infinite expanse to explore.

 

As I came around yet another bend, after crossing the Glen Canyon area I noticed these rocky spires in the distance.  Speeding by there was some interesting, undulating rock just off the road that caught my eye and thought to myself there must be a good photograph in there somewhere, so on the the brakes I went, pulling over in to one of the few primitive camping areas that dotted the side of the road.  Getting out to explore, then driving down the road back a ways and repeating.  Wandering around I found this ravine, with amazing undulating and textured rock pointing right at the spires that had made me pull over in the first place.  Looking down the rock suddenly jumped out at me.  Light from the other side of the ravine was being reflected back on to the rock below me creating this incredible glow.  Taking out my phone I snapped a quick photo to see what was going on.  Boom!  Next thing I knew I was hurrying back to the car to grab my camera bag.  I spent the next 3-4hrs exploring this 100 yard stretch of rock.  Studying the textures, lines, nuances.  Playing with the light as it changed.  As the shadow from the large canyon wall towering over me to the west finally encompassed the scene I had that familiar joyful feeling.  The kind one can only get by having that serendipitous, ephemeral experiences that come from pulling off the side of road spontaneously in the middle of nowhere 🙂

 

Thanks!

aF

 

Reflected light on rock in utah's wilderness
“Reflected Lght I”
Reflected light on rock in utah's wilderness
“Reflected Light III”
Reflected light on rock in utah's wilderness
“Reflected Light IV”

Abbey’s Country

 

Settling in to my Utah adventure I had still yet to have that light that photographer’s chase.  And knowing that desert country can be fickle with clouds I knew I would have to be patient.  On this particular day I started out by shooting sunrise here, at Arches, under mostly clear skies.  A few high cirrus but nothing to write home about.  As I met up with a local photog, we palled around for the day talking story and catching up (we had been in contact for a while).  After a midday break to kill some time (read: check out local brewpub), it was time to scout for sunset.  And looking up the sky had now filled with all sorts of high clouds.  A good sign.  But then again any clouds are better than nothing!

 

After driving around for over an hour, checking locations, thinking about light, hiking around, I made the decision for two spots.  I thought facing back to the east was a good decision as hopefully the setting sun would illuminate the La Sal Mountains and high clouds.  Then we’d try and hurry to another spot to capture Balanced Rock more intimately (that shot at another time).

 

As the sun dipped, and the last rays of light cast upon the rocky landscape, first exiting the arches and hoodoos, then up the mountainside in the background, then finally the clouds slowly gained color.  And of course this is where the little boy comes out and yips of glee start coming out.  I never get tired of seeing a great sunrise or sunset and to be able to capture this moment over such an amazing landscape was truly special.

 

Much thanks!

aF

 

P.S.  To see a section of the detail in this photo see sample at bottom!

 

Colorful sunset over Arches National Park, Utah
“Abbey’s Country”

 

 

A sample of the detail in the panorama.  This is a selection from the above photograph.
A sample of the detail in the panorama. This is a selection from the above photograph.

 

There Be Goblins

We start in the middle…which is a perfectly good place to start really.  The middle of a 6 day road-trip through Southern Utah.
This particular image was a side effect of an idea I had during sunset just a few hours before.  Setting my alarm for 515am, the mission was to capture the Milky Way under a rocky arch (an image I will share another time).  Walking out to my location the stars were incredible.  It’s called the Milky Way  for a reason and the chalky streak across the sky sure held the name.  I quickly went to capture the original image, which was preplanned, and then went back to explore other possibilities.   These amazing hoodoos scattered the landscape giving this valley it’s namesake, Devil’s Garden.  Seeing the blazing Milky Way behind I took two photographs, this one in particular illuminating the rocky statues.  The touches of dawn beginning to be visible on the horizon.  What a sight!
 
Thanks!
aF
 
 

Milky Way above hoodoo's in Escalante Wilderness
“There Be Goblins”

A Map And A Sunrise

This image was made on my first major photography trip in Aug ’12.  There are LOTS of images waiting for me to get to and this was a particularly nice morning.  I had wanted to get shots of reflections, of which I’m a huge fan, while in Yosemite.   This particular morning I had picked out a spot I saw on the map that I thought might lead to an interesting composition.  Getting down to the trail a bit later than I wanted (that never happens of course :p) the clouds were already looking amazingly promising.  And in August in California any clouds are a blessing!  I hurried a bit more and then as I was wondering if I picked the right area the trail bent around the corner and there was the river pointing right at the direction of half dome.  Perfect!  The clouds were already doing their thing and worked quickly on a number of compositions.  This one in particular requiring me to be thigh deep in the river.  The stillness in the morning was truly special.  The air felt cool, no rushing of cars in the valley floor, just the meandering river and myself.  Great way to start the day 🙂
 
Thanks!
aF

Sunrise reflections along the Merced River in Yosemite National Park
“Resonance”

 

Tales from the Racetrack.

 
Having seen photographs of this mysterious place, I was excited to make my maiden voyage out to this remote stretch of playa or ancient, dried lake bed.  While no one has ever seen the rocks move it is believed a combination of water and wind is needed to move these rocks, some up to 100lbs, across the surface.  And in turn, they leave us their tracks.  Some straight.  Some curved.  Some just mind boggling confusing.  I spent a night, a very very cold night, and a morning out shooting this magical place.  Wondering around by myself in the quietest place one could possibly imagine, surrounded by one of nature’s wonders was a real treat.  As the sun crested the nearby mountain (the playa is at approximately 3700 ft above sea level), the strong backlight made for some wonderful textures in the playa and really accentuated the tracks of some of the rocks.  I explored for quite some time letting my mind play with the abstract shapes and textures.  This one in particular I found quite interesting.   Enjoy!
 
Thanks!
aF
 
 

Racetrack playa, Death Valley
“Out Of The Darkness”
Racetrack playa, Death Valley

Etched

Badwater, Death Valley
Badwater, Death Valley

Day 3 of my Death Valley excursion.  Badwater.  Aptly named as this is the lowest point in North America, at the hottest spot on earth, and there’s actually a small pool of water at this point!  Of course the amount of salt in the water makes it completely undrinkable…hence the name.  An ancient lake bed, this amazing place collects all the minerals and salt from the surrounding land that drain in to the basin during floods. These minerals then form amazing shapes and polygons out on this seemingly endless stretch of salt.  As luck would have it this was my one good sunset with clouds…and it was super promising.  As I scouted the area I eventually set off on a trek out to find the best examples of this phenomenon that I could.  While doing so I came across this particular formation that really caught me.  With the late afternoon light it seems as if it were a tree of salt.  I snapped this photo and then moved on as I was constantly looking for unique shapes.  Of course little did I realize that I would try, without success, to find this spot again once sunset took hold.  Glad I stopped when I did 🙂
 
Thanks!
aF
 
 
Polygons in salt at Badwater, Death Valley
“Etched”

Golden Gate Grandeur

 
Arriving in to San Francisco after 4 days in the desert was fun.  Back to city life as opposed to deafening silence of the dunes and remote landscapes.  I had one evening to shoot and then of course came the big decision of WHERE!?  The clouds were looking pretty sexy and the trick was to find a spot to take best advantage of the conditions.  After driving around for over an hour I decided to head down to Kirby Cove on the Marin side of the Golden Gate Bridge.  Having never been there I figured what a better time than now.  As it goes the sunset did get crazy colorful but more to the direct west, and not east where I was facing, however the was plenty of light to go around.  This is the very last shot of the evening for me as the color was just about being taken over by the city lights.  Stars had already made their appearance but the high cirrus held some of that lovely pink glow.  Glad I waited til the very end 🙂
 
Thanks!
aF
 

Twilight over San Francisco and the Golden Gate Bridge
“Golden Gate Grandeur”

The Sands Of Time

 
My first sunrise in DV…no clouds…which is to be expected most of the time, however not the most desired for landscape photography.  About 30 min after the sun rose a slug of cirrus ish started movin right over head as I saw it traverse the valley.  Eek!  After shooting a few exposures I realized that they were booking it across the sky and this would be my only time to shoot dunes w/ clouds (at least I always assume that, especially in a place like this). Went in to a frenzy to find the lines that I wanted, change lenses, put on filters and then start the exposure…then sit and wait. Was able to get two shots off before the clouds were gone. The combination of light, lines and clouds really give this photograph a sense of motion!
 
Enjoy!
aF
 

Sand dunes of Death Valley
Sands Of Time